contempory interest for digital culture seems to me to be world wide (even
from outside the so-called technological bubble). the story behind the
australian experience seems related somehow to concept of noise. having
left australia in 1996 i have watched from afar as it attempts to assert
itself as a regional power. drawing in and appropriating talent from the
region and then presenting it to the world as "Australian". exceptions to
this weight of cultural hegemony are to be found but they, like all the
most interesting art, exist on the fringes, the (e)peripheries or (at risk
of historical complicity) the Frontier. here comes the noise. the
relegation of material as noise or content is dependant on the degree to
which a 'centre' is able to assert itself. the australian body politic has
pretensions to that power at the moment. under the radar of this is
perhaps some of the most interesting work emerging from .nz (and .au) as
those artists who remain demagnetized to a centre and pursue their own
agendas (as much as that is possible in a multimedia connected world). the
improvised-psych-folk music scene in .nz is one such example i can think
of that has managed to reach me here in the far north of scandinavia.
however looking back over my links it seems most cyber art spills over
geopolitical boundaries, but perhaps not economic ones and also moves to
resist noise as classification. i think specifically of Avatar Body
Collision (I am a fan) who include cyberspace as a residency as well as
Aotearoa/New Zealand and elsewhere. Are we building a new country? Or is
it outside the boundaries of that term?